Total issue 1851; welcome to pay attention.
Chen Chuanxi
At present, he is a professor and doctoral supervisor of Renmin University of China, a professor and doctoral supervisor of Nanjing Normal University, and an expert with special contributions. Member of the theoretical Committee of China Artists Association. He was a researcher of Kansas University, professor and doctoral supervisor of Shanghai University. He is proficient in ancient Chinese, foreign languages, literary history, ideological history, Buddhist history, economic history, Chinese history and philosophy history, and has published more than 40 academic works. More than 600 academic papers have been published in cultural relics, art, art research, art history, art observation, new art, people's daily, Guangming Daily, etc., which have been reprinted by Xinhua digest and other journals. Prose works are included in the great series of Chinese prose in the 20th century, and the collection of prose, regret for the late vegetarian conjecture, is reprinted by the China Book Company.
No man without knowledge can become a great writer / Chen Chuanxi
What is a master? The master's works must be: pregnant before and after the package, and must be able to set up a generation of model, open a generation of new style. The key is "pre pregnancy and post pregnancy". The latter two are actually included in this article. The works that can be "pre pregnant" must be high-quality works of course. What are the standards for high-quality works?
Ancient view of immortals with sense of film 22x32.5cm 2016 paper
Skill, style, thought. In a work, a high-quality work is one with high skill, new style and deep thought. None of them is indispensable, but all of them are excellent, but it's not easy. As Sheikh said, "although there are six ways of painting, it's rarely enough to do it. Since ancient times and today, each of them is good." Yao said, "there are six ways of painting. It's difficult for a real immortal." So, which of the three is more important? Of course, "style" also contains "thought", but "thought" is not fully reflected in "style", and "thought" has its own side. When "power" reaches a high level, "power" has its own style, but "power" is not only "style", but also has its own side. There are also "patterns" for those who are "thoughtful". Therefore, style, thought and skill are related to each other. One is very prominent, and the other two cannot be completely absent. If one is too poor and weak, the other two are difficult to be established.
Huang Binhong '. There are many kinds of "power", which can be simply divided into "traditional power" and "non-traditional power". Huang Binhong's "skill" belongs to the "traditional skill". Because the root of the "traditional skill" is Ye Mao, people who work hard on the "tradition" are relatively safe, but also very arduous, because they have to work hard.
Ancient maxim (I) 22x32.5cm 2016 paper
If you don't live long, you may end up halfway down the traditional path. And must have very high theory foundation and culture accomplishment, otherwise you still don't understand tradition, how to study tradition? Many people think that they have painted a lifetime of tradition, but they have not yet entered the traditional threshold. They just learn a little traditional fur, which seems traditional, but actually has no traditional connotation. As long as you understand the traditional Chinese painting and learn from it, you can make full use of it when you create it. In addition, if you have thoughts, special personality and strong cultivation, you will naturally have a special style. Li Keran said that it is right and advisable to "hit in with the greatest strength and out with the greatest courage".
"Power" is the right and profound expression power, "traditional power" is certainly an excellent expression power, but "non-traditional power" can not be ignored. "Non traditional skills" can sometimes enrich "traditional skills", and become one of "traditional skills" as time goes by, but "non-traditional skills" must have a part of "tradition", otherwise, "traditional skills" refers to those who go along the traditional road, and then surpass in the same direction, such as Huang Binhong, Qi Baishi, etc. "Unconventional skill" means to walk for a short time in the tradition and then leave the tradition. Cross the road and go, find another way.
Ancient maxim (2) 22x32.5cm 2016 paper
For example, Jiang Zhaohe's figure painting borrows the expressive power of Western painting, but uses traditional ink forms, but lacks the connotation of traditional ink. He did not, but not completely, have the tradition; he did not have the tradition, so it is called "non-traditional power", which is also desirable. In a word, if you want to show a culture, and you don't do well, it's called lack of skill, at least not deep. If you don't have deep skills, you can't draw high-quality works, or become a master.
"Skill" can only be obtained by hard training, but it is not entirely out of practice. There are also various cultural accumulation. "Dead practice" has limited effect.
Ancient maxim (3) 22x32.5cm 2016 paper
The style and power of the work, as well as the artistic conception, meaning, interest and various cultural connotations embodied, all need thought to be established. Thought is the sum of learning, talent, knowledge and courage, through which is understanding. Learning is not only learning, but also learning skills. More importantly, learning culture, reading all kinds of cultural classics, world famous works and first-class theoretical works. To improve one's cultural quality, a person with low cultural quality cannot be a painter. Many people have practiced and learned all their lives, but they can't become painters. This shows that although they have learned, they have no talent. People often say that someone is not this material, that's what they mean. If you don't have a talent for painting, you should also have self-knowledge, or change careers, or just as a hobby, as an admirer or collector or publisher and so on.
Zhiqulian 22x32.5cm 2016 paper
Knowledge is the sublimation of learning and talent. Those who have learning and talent can't become everyone if they don't sublimate to knowledge. Knowledge is the core of thought. A painter (and any other successful person) learns and progresses, develops and changes. In every process, knowledge plays a role. A man without knowledge can not become a master, a painter, or a master. He who knows well must have courage.
Li's min's clear formula 22x32.5cm 2016 Paper Edition
Learning, talent, knowledge and courage, that is to say, thinking, are the most important factors for a successful master.
Analects (I) 22x32.5cm 2016 paper
Analects (II) 22x32.5cm 2016 paper
Analects (III) 22x32.5cm 2016 paper
Comments on the world 22x32.5cm 2016 Paper Edition
Shanqing birdsong union 22x32.5cm 2016 Paper Edition
Ten year half life couplet 22x32.5cm 2016 paper
Painting poem 22x32.5cm 2016 paper
Five thousand years later, it's only 22x32.5cm in 2016
Yunlong Lake Night View 22x32.5cm 2016 paper
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