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Zhong Zhenzhen: understanding and misunderstanding of Tang Poetry (35-37)

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About the author
Dr. Zhong Zhenzhen was born in March 1950 in Nanjing. He is now a professor and doctoral supervisor of Nanjing Normal University. Director of the Research Institute of ancient literature collation. He also serves as the guiding professor of "scholarship for Chinese culture research of foreign scholars" of the national scholarship for study abroad, the president of China verse society, the vice president of the global Chinese Poetry Association, the consultant of China Poetry Society, the general consultant of "poetry conference" of CCTV, and the distinguished professor of Wenjin forum of the National Library. He has been invited to give lectures in more than 30 overseas schools such as Yale and Stanford.
Understanding and misunderstanding of Tang Poetry (35)
A hundred rhymes of southeast travel (6) Bai Juyi The pommel horse shouts to teach, the dice plate drinks to send loses. Long drive wave roll white, even cast into Lu About "the pommel horse shouts to teach, the dice plate drinks to send loses.". In the book of Bai Juyi anthology by Mr. Wang Rubi, it is noted that "the dice are made to drink and the losers are made to lose", which is echoed by a separate sentence. Dice, when rolling dice, all five dice are black, which is the best choice, such is Lu. These two sentences mean to roll the dice first to get the owl and the calf, so they make the official cloud: "send the loser" and then roll the dice to Lu, and win the game. " (page 210) according to the self annotation of the poem in Volume 16 of Bai's Changqing collection, it said: "dice, roll white waves, and don't walk on the pommel horse, all of which were drinking orders at that time." "Dice" this wine order, how specific, poet vague. But from the lines of his poems, we can generally know what it is. "Dice" is a kind of gambling equipment. "Die plate", as the name implies, is a utensil for rolling dice. This wine order should be wagered by dice. Winners do not drink and losers drink. The traditional purpose of gambling in China is to intoxicate others. When it's the opponent's turn to roll dice, people often shout in unison to curse him for losing. The word "dispatch" of "drinking, dispatching and losing" means "how to make someone". To be sure, the five words "die plate drinking and losing" is a statement. In this note, Mr. Wang takes the word "dispatch" as a direct quotation: "what the magistrate said is obviously not in line with the grammar of the original sentence.
A hundred rhymes of southeast travel (7) Bai Juyi Spring leaves willow, autumn sounds to Jingwu. Can Fang sad, feel the dogwood at dusk. The golden chrysanthemum, the snow and the reed. Wave red sun slanted, sand white moon tile. I saw some bamboo shoots in the forest, which scared the swallows and led the young. He Shushu, young not for a moment But I have a poor mind, and I am constrained by his misfortune. Drifting with the sea, hammering Ren Honglu. It's dangerous to taste. It's too late to live. It can calm the mind and dissipate the spirit. It can consume the skin when you are hungry "Spring leaves willows, and autumn sounds to Jingwu." Mr. Wang Rubi's "selected works of Bai Juyi" notes: "the Bai family came to Jiangzhou at the end of autumn, so all we see are autumn scenery." (page 214) press: see the following sentences in this poem: "the sorrowful and sorrowful life of the remnant Fang", "a few saw the bamboo shoots of the forest, frequently startled the swallows and attracted the young ones". It can be seen that this work was not written at the beginning of its arrival in Jiangzhou within a few years after the poet came to Sima's post in Jiangzhou. In addition, the last sentence of this couplet says spring, and the next sentence says autumn, which is clearly the meaning of time flies. As for "drifting with the sea", Mr. Wang Rubi's "selected works of Bai Juyi" notes: "the drifting sentence means that he has experienced the sea and numerous stormy waves." (P. 215) according to the above: "when I'm not good enough, I'll stick to him when he's in bad luck", and the following: "when I'm in danger, I'll live late. It can be seen that "drifting with the sea" here doesn't mean that "I've been through the sea and experienced numerous rough waves". Instead, I just lament that I've been expelled from the capital city, far away from the political center and drifted outside. If I'm floating with the waves of the sea, I can't control my own destiny.
The understanding and misunderstanding of Tang Poetry (37): at the beginning of entering the gorge, Bai Juyi felt that there were ten thousand mountains and ten thousand feet of water. There is a reed between the two cliffs. Qu Tang, you have a direct diarrhea, and you stand in the middle. It's not dark in the night, and there's no wind and white waves. Big stones are like swords, small stones are like teeth. One step is not feasible. It's thousands of miles. Time is the bamboo strip [on the bamboo to read below], and the dangerous boat to the teacher's toes. There is no end to a fall. I was born here. I often hear that it's feasible to be loyal. Since ancient times, floating and sinking people are not gentlemen? When I am in trouble, I am ill. Often afraid of not just body, again unknown death. On the "ill fated not rely on" Mr. Wang Rubi's "Bai Juyi anthology" note said: "not rely on, words can not protect themselves." Note: the subject of this sentence is "my time and life" in the previous sentence. "Shuowen Jiezi · Xinbu" said: "Shi, Lai also." Chen Pengnian of the Song Dynasty and his third volume, shangsheng · Liuzhi, said, "depending on it, depending on it." Here, the poet says that "my time and my life" are "not enough" - that is, he laments that life is not in time and fate is not good.
Edited by Zhang Xuefang reviewed by Lao Liu Chashe
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Zhong Zhenzhen: understanding and misunderstanding of Tang Poetry
Zhong Zhenzhen: understanding and misunderstanding of Tang Poetry (18)
Understanding and misunderstanding of Tang Poetry (19)
Understanding and misunderstanding of Tang Poetry (20)
Zhong Zhenzhen: understanding and misunderstanding of Tang Poetry (21-22)
Zhong Zhenzhen: understanding and misunderstanding of Tang Poetry (23-24)
Zhong Zhenzhen: understanding and misunderstanding of Tang Poetry (25-26)
Zhong Zhenzhen: understanding and misunderstanding of Tang Poetry (27-28)
Zhong Zhenzhen: understanding and misunderstanding of Tang Poetry (29-30)
Zhong Zhenzhen: understanding and misunderstanding of Tang Poetry (31-32)
Zhong Zhenzhen: understanding and misunderstanding of Tang Poetry (33-34)
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